In my artistic practice, the creative process and formal elements serve as means to investigate the invisible aspects of the human experience, such as perception, memory, and time. In each work, I layer sensations that still linger within me, becoming fragments of memory. In this way, the pictorial gesture evolves into an extension of the body and the psyche: a tool to access that which often remains hidden in lived experience.

This process transforms the canvas into a sensitive surface where the act of painting is, essentially, a form of material thought. Through the color black, I explore depth and the infinite, alluding to the mystery and unknown dimensions of the inner world. For their part, white brushstrokes emerge as tangible reality and the physical manifestation of existence, engaging in a dynamic dialogue that evokes the duality of fundamental forces.